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Christopher Dahm: ECHOS (2020)
Sound Installation
1 speaker / 6 mirrors / 6 transducers
The space becomes an instrument and determines the composition. Character and texture of the room serve as a source of an impulse sound: resonating architectural elements are recorded with contact microphones. During the installation, the recorded impulse sound is played out over a speaker placed in the room, pointing in direction of the first mirror. Sound transducers are attached to the mirrors, which cause the mirrors to vibrate. The mirrors take over the function of a loudspeaker diaphragm.
Through ongoing reflections, the sound enters into a dialogue with the architectural and acoustic environment. Due to the distance between the mirrors, the architecture and speed of sound determine the sound rhythm of the room composition. By moving in space, the audience – depending on distance and angle to speakers and mirrors – both acoustic and visual perspectives change. Every new angle of view and hearing results in a different spatial experience.
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Christopher Dahm: Social *Media* Distance (2020)
This performance shows the lack of personal communication before, during and after Corona pandemic.
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Hyunju Oh: Soothing the Time
Performance Series <Without Words> #3 (2020)
Performance, 360° Version, 00:04:54
This performance is the <Without Words> performance series #3, which expresses "the wound of time" or "the time of injury" with an act of soothing and stroking. This work induces the passage of time and various associations through body parts, movements, and actions.
Portrait:
Photography by Haleen Lee
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Danbi Jeung: Artistic Distancing (2020)
What kind of work can artists create at home to communicate in a situation if they have to be socially distant in a pandemic situation? ‘Artistic Distancing’ started with this question for online-360 gallery project in Mainz. In this video, an artist disassembles objects directly from many famous artworks and distances them.
Artworks - Artist / Title(Year) /Current location:
Piet Mondrian / Composition with Red Blue and Yellow (1929) / National Museum, Belgrade, Serbia.
Édouard Manet / The Luncheon on the Grass(1863) / Musée d'Orsay, Paris, France. Vibhor Sogani / The Sprouts (2008) / (Public location in) New Delhi, Photo by Shailan Parker, India. Shinique Smith / Blue, Green, Yellow, Orange, Red, Pink (2009) / The Baltimore Museum of Art, USA.
Keith Haring / Radiant baby (from icons series, 1990) / no current exhibition. René Magritte / Golconda (1953) / The Menil Collection, Houston, Texas, USA.
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Wingel Mendoza: 3 Voces Marchitas (2020)
3 voces marchitas is a piece that works as a nature-based sound sculpture because the sound is completely linked to the behavior and the environment of the plants. The plants create their own dialogue that we can listen to. All the data is collected in the computer in real-time and is transformed into sounds.
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Anahita Ghasemi Nasab: Dismantled Her... (2020)
This is the story of a dismantled human suffering the idea of being a limited being. Never beingheard or perceived to the fullest. She hopes to be back in her mother’s womb, for that was the last timeshe felt safety. This world has tared her into pieces and now she is imagining being back in thewomb, feeling safe enough to tell us what she feels and sees but she’s drowned in thick liquid and herwords are not comprehendible. She’s trying to reach us but all she gets is suffocation.
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Christopher Dahm: ECHOS (2020)
Sound Installation
1 speaker / 6 mirrors / 6 transducers
The space becomes an instrument and determines the composition. Character and texture of the room serve as a source of an impulse sound: resonating architectural elements are recorded with contact microphones. During the installation, the recorded impulse sound is played out over a speaker placed in the room, pointing in direction of the first mirror. Sound transducers are attached to the mirrors, which cause the mirrors to vibrate. The mirrors take over the function of a loudspeaker diaphragm.
Through ongoing reflections, the sound enters into a dialogue with the architectural and acoustic environment. Due to the distance between the mirrors, the architecture and speed of sound determine the sound rhythm of the room composition. By moving in space, the audience – depending on distance and angle to speakers and mirrors – both acoustic and visual perspectives change. Every new angle of view and hearing results in a different spatial experience.